Speaking at the opening of the National Film Institute’s new studio complex in Fót, Prime Minister Viktor Orbán reaffirmed Hungary’s historical significance in global cinema, stating that Hungarian filmmakers were present at the birth of Hollywood and played a pivotal role in early silent film production. He noted that Hungarian cinema has long been an integral part of the nation’s cultural and economic landscape.

Orbán reflected on the history of Hungarian film in the 20th century, highlighting how, in the first half, filmmakers from Hungary made their mark internationally. In the latter half, cinema provided a means of expression, allowing people to ‘endure the unbearable and articulate the inexpressible.’ He asserted that some films produced under communist rule played a significant role in contributing to the eventual downfall of the regime.

However, the transition following the collapse of communism was not without challenges. According to Orbán, the struggle between reformers and remnants of the old system lasted two decades, negatively affecting the Hungarian film industry. He stressed that the state has a responsibility in shaping the sector’s fortunes—not in influencing artistic creativity, but in ensuring the necessary infrastructure and resources for production. ‘Film is not just an industry; it is also an art. And art must remain free. Filmmakers understand this better than anyone. But for the development of the film industry, the state is essential,’ Orbán stated.

He criticized the flawed film policies of the early 2000s, which, he claimed, resulted in Hungary losing out on 200 million dollars in revenue. The neglect of the country’s once world-class film infrastructure led to a decline in international productions choosing Hungary as a filming destination, diverting business to other European cities. Determined to reverse this decline, Orbán credited the late government commissioner Andy Vajna for spearheading the revival of Hungarian cinema. Vajna, a Hollywood producer of Hungarian descent, was instrumental in modernizing the industry and establishing the institutional framework of the National Film Institute. ‘Without him, we would not be where we are today,’ the prime minister remarked.

‘Some films produced under communist rule played a significant role in contributing to the eventual downfall of the regime’

Thanks to these efforts, Hungary has become a major hub for film production, attracting over one hundred billion forints in service production spending annually. Even during the pandemic, the industry generated 220 billion forints in revenue, a figure that has since risen to over 250 billion. Today, Hungary’s film industry employs more than 20,000 people—equivalent to the entire population of Fót. Orbán also pointed out that Hungary has reached a new milestone where films are now being produced independently of state funding. ‘Ultimately, this was our goal—to make film accessible to everyone,’ he said.

The prime minister concluded by expressing optimism for the future, stating that Hungary is once again a key player in global film production. With an increasing number of Hungarian films gaining both domestic and international recognition, he envisions a period of continued success. ‘This studio sends a clear message: we Hungarians do not settle for mediocrity. We do not belong in the back row—we belong on the grand stage,’ Orbán declared.

Csaba Káel, the government commissioner responsible for the development of the Hungarian film industry, hailed the project as a transformative investment that will open new chapters in film history.

The government-backed expansion has resulted in the addition of 10,000 square metres of new studio space, an advanced mobile soundproof wall, 20,000 square metres of service areas, and a modernized infrastructure designed for sustainability. The complex also includes 135,000 square metres of green space, reflecting a commitment to environmental responsibility.

According to Káel, the last comparable state-funded investment in Hungarian cinema was in 1936, when the Róna Street studio was built—then one of Central Europe’s largest and most modern facilities.

‘The full significance of this four-year project will be realized by future generations,’ Káel stated, underscoring the long-term impact of the investment.

Related articles: