‘Although its powers are limited, the Commission and Parliament are increasingly incorporating housing into cohesion policy and future MFF planning and are seeking new policy instruments. The goal is to ensure affordable, sustainable, and secure housing.’

‘Suddenly, a very pretty lady appeared in front of me…And she told me straight out: “On Wednesdays, you’re coming to our folk dance session. My brother will drive you back and forth.” I liked her confidence, and of course, I gladly went—after all, I loved dancing, and I had time for it.’

Leftist MEPs blocked a one-minute silence for assassinated US conservative Charlie Kirk, sparking outrage among Patriots for Europe. Videos showed socialist chair cutting off the tribute, while right-wing MEPs protested. Hungarian PM Viktor Orbán called Kirk’s murder the result of the left’s hate campaign.

Jair Bolsonaro, Brazil’s former president, was sentenced to over 27 years for coup attempts and conspiracy, becoming the first ex-leader convicted on such charges. He denies wrongdoing and may appeal. Donald Trump and US officials blasted the ruling as political persecution, warning of possible sanctions.

‘Kirk made his name in the very arena where conservative ideas are often least welcome: academia. To many progressive students, his campus events provided their first real exposure to conservative arguments; to right-leaning students, he offered both encouragement and a sense of belonging. Yet Kirk’s reach extended far beyond the lecture hall.’

‘Climate-washing litigation continues to raise legitimate questions about its long-term impact on corporate behaviour and climate governance. While courts increasingly strike down misleading climate claims, some warn of a counter-effect: greenhushing, in which firms reduce or obscure climate communications to minimize legal risk.’

‘A little-known Hungarian photographer, Balthazar Korab…was the one who perceived and conveyed the symbolic meaning in the World Trade Center, as he did in other iconic works of American modernist architecture. He captured a kind of capitalistic grandeur—if one may call it that—that today, when we view these images and cannot help but think of the terrible outcome, feels ominous and oppressive.’